oveditribed:

throughitsiensepopularitythetheatrehasachievedaplathenational

hersoftlikeasoutheditty,

gng.

broaderaabletotheveacularlanguageihe

shedhavespoken

tharaightuseofthreesthroughouttheliheideaish

beforeshespoke,shehadreddened,

herjadehairpindeing,

ratherthareoreencipatedinthedras.

literature,hebeautyofinging,theheroine:

sidelining,

sohelplesslytender,

alreadyprovidedforatreularlengths,obeyihfthespoken

experintbysoqualifiedenglishpoets.

eselifeverynearlyr

folloanner:

likeacherryripebroken,

thelineswas

greatsuoredulatedrhythbr>

brooonreing,

astringofnotessandgolden.

likesbeforeazephyrgiddy.

intoherblackvelvettelesresigning.

asanapproxiteexaleofthisirregulartre,igivehereanenglishrendering

ofpassagesintheberasterpieceofthefirstorderinese

thereisnoreasoaltresofthreesshouldnotbe

nooveshersteps,ing,pretty,

uedsideyhe

itisiingtonoteherethatrhythsuoodinesedraticpoetryand

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atitotheexigeheoperaticairs,but

liberationoftreachievedinthesungtguinatinginsongsaheseairs,

usedinsokindularbinationinenglishpoetry.thishasbeendoneh

sogracefullyslender,

inant,

likeastatueolten;

ininusic.