stfruitfulofresultsoodandapplied.asstated,ese

aesthetiisticipleaybe

fpaintii

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

such,asapartfrotent.apaintinghastonveya,butaten

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

sotiseveyinslouessularity.thustheartofcalligraphy

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

certaintypes,suchastheyularityorofaforevertoppling

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

inanythioftheeseartistid.

position,standsiiontopaintingaspuretheticsstandsiionto

asthisarthasahistoryofhousandyears,andaseveryertriedto

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

hasbeenexplored.theientpossible,andtheeseters,heoretically

strusustsolveforhielf.thus,through

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

sihofthehorse,

cultivationandappreciationofpureposition,

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

...

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

field,everyvarietyofrhythasbeeeduponaypeofstructure

fotten,andthelinesandforareappreselves.inthis

andforandithasdoneso

basesofesenotionsofbeauty.

distinguishhielfbyaructure,therefore,incalligraphy,if

fundantalstrokesofing.ifthereisohis,hewill

byderivingitsartistinature,espeals梩

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

realisethatthesee.”

providesasofaesthetiiationayhe

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therefore,theairedevotiontopurefors

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

itseetothatand

hebranflohafehespringing