fundantalstrokesofing.ifthereisohis,hewill

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

byderivingitsartistinature,espeals梩

aesthetiisticipleaybe

such,asapartfrotent.apaintinghastonveya,butaten

providesasofaesthetiiationayhe

field,everyvarietyofrhythasbeeeduponaypeofstructure

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

realisethatthesee.”

position,standsiiontopaintingaspuretheticsstandsiionto

asthisarthasahistoryofhousandyears,andaseveryertriedto

fotten,andthelinesandforareappreselves.inthis

strusustsolveforhielf.thus,through

distinguishhielfbyaructure,therefore,incalligraphy,if

hebranflohafehespringing

therefore,theairedevotiontopurefors

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

certaintypes,suchastheyularityorofaforevertoppling

sihofthehorse,

...

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

itseetothatand

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

inanythioftheeseartistid.

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

cultivationandappreciationofpureposition,

stfruitfulofresultsoodandapplied.asstated,ese

fpaintii

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charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

basesofesenotionsofbeauty.

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

andforandithasdoneso

hasbeenexplored.theientpossible,andtheeseters,heoretically

sotiseveyinslouessularity.thustheartofcalligraphy

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike