transfortioniistsnd,shoofitsirrelevasdisharnies,and

enoofterial,rkedbythenyblankspaces,anideaofposition

ishardtograspandexpress.ithasaosphere,visibleine

hewillbe

abletoessquare,inlinesandfortrulyhyofthe

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

nner.sohohepicturebeforeushasundergoneaninnerprocessof

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

ideasofrhythforndatspheregivethedifferentlinesofeseart,like

nn.itoachievea

odeepainting,and

boldnessandfreedofthebrushpresstheonlookerinanunfettable

abletheprinesecalligraphy.thesebasic

painting,butessentiallydifferentandachievedbydifferentans.itshoain

artisthasinterferedaterialrealityaedittousonlyasitappearsto

atsphereallitso

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spirit.

thefullsignifialligraphyasthebasisofeseaestheticswillbe

naofanart.

givingusonlyapletelysatisfying

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

iii.painting

sandstructuresofesearture,weshallbe

thepointsofntrastarationeasiertotradhatthe

poetry,painting,arture,porcelainandhousederations,aialunityof

epoetry.thatdifference

esepainting,thefloure,isdistinguishedbyaspiritandan

seeninastudyofesepaintingandarture.inthelinesandpositionof