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第97节(2/3)

abletoessquare,inlinesandfortrulyhyofthe

esepainting,thefloure,isdistinguishedbyaspiritandan

ishardtograspandexpress.ithasaosphere,visibleine

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

naofanart.

seeninastudyofesepaintingandarture.inthelinesandpositionof

artisthasinterferedaterialrealityaedittousonlyasitappearsto

thefullsignifialligraphyasthebasisofeseaestheticswillbe

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thepointsofntrastarationeasiertotradhatthe

iii.painting

hewillbe

atsphereallitso

odeepainting,and

abletheprinesecalligraphy.thesebasic

nner.sohohepicturebeforeushasundergoneaninnerprocessof

poetry,painting,arture,porcelainandhousederations,aialunityof

transfortioniistsnd,shoofitsirrelevasdisharnies,and

painting,butessentiallydifferentandachievedbydifferentans.itshoain

epoetry.thatdifference

sandstructuresofesearture,weshallbe

boldnessandfreedofthebrushpresstheonlookerinanunfettable

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

enoofterial,rkedbythenyblankspaces,anideaofposition

ideasofrhythforndatspheregivethedifferentlinesofeseart,like

spirit.

nn.itoachievea

givingusonlyapletelysatisfying

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

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