ngelsewas

typeofsalledfeipo,any

fugitivespiriti.doicarehertheyareexactoot,herthe

said:”anticbrush,

notinteopyreality,butrelytopleaseself”

...

offeurecraftsnship.

reverthatfreedoniyiinlin13011374,agreatyuanpaidistinguished

thisplayingodatsforacertainqualityofesepainting,calledyi.the

treeohesaprincipleoftingusedineseings.tungchig

thisdesireisuandableuholarsspiritwas

dehesati”rontid”thespiritoftherecluse.”itisthisquality

along,paintingillis,thesreation.

ntouroftheterisurical,butispagisanunfivable

hunspirittogetathedru

landscapesofthesouthesertaininfluenalligraphy.first,ohe

sendary.therearetodaypaintersakesketcheshtheirbarefingers,and

itive59or”recluse”qualityisprizedasthehighestqualityofthescholars

principle,forproperspagistheveryfirstlaatedbypao

ngfuhielf.further,theartistiportantcalligraphic

oneshherefore,ineseinkdraanfiguresand

saidthat”,theyshouldapplythelaherunningscript,the

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restraiheralandpoliticalspheres,andinpaintingatleast,itdiditsbestto

ofcalligraphythateveryslantinglineshouldhavethreets.tungchigalso

ybeseeninyiiyujensatterineseingifthe

andnizesfurtherinthesileunityofdesignofesepaintingsth

hollohetreofthestrokes,aheenthe

paintings,anditesfroheplayingspirit.liketaoisitistheeffortofthe

treesthehesealter.forthisisasecretleftusbyghao

aybeusedto

forthisquality,said:”baoopaintingsarenotintendedrelytopaintthe

sicstrokes.iinglihepine

shenpo.ifthespaybesaed,as

leavesarethickorthin,orherthebranchesarestraightorcrooked”again,he

oflightheartedandinguisheslipospoetry.thisyi

lishu,andthearript.”oneseesalsointheholloherocksa

saidaboutpaintihateverylineshouldtallalong,andhihsaid

oneevenobiletongue,dippedininkandligthepaperashedra\vs