eetagain

nature.heshouldousthebeofthatnionofnature,and

dofnature.thebestofelandscapes,likerots3giveusthe

singularteristifostsingularntrastbethineseand

felefigurecalled”ion.”thereisstilltodayalargeproportionof

arestilluoreheelvestothefaivilizationrequires

andthisgeneralrhythalldetailstenandonlythetralinood

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

saatsphereandthesafeelingfoature,butirayalofhunfor,

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

englishandarisocietyuresintheirflatsby

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

eastandthefeleforortheindasbeingre

ihegeneralistnessoftheatsphere,or,like

gongpilesofksandbrushwood

theisdesubservienttothe

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

bathinggirlshouldbedetorepreseeer.”todaynyese

te,beforeoneleaeventhefirstessentialsofpainting.of

notthebeautiesoftheirbodiesbutthelihehehis

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

anbody,espealebody,seetotobethest

...

theygenerallybanishtheaionbycallihings

”art,”andtheonesadethen”cr

eartisthedifferehesourceofinspiratioselfforthe

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ursetherearealsonyeersy

recreateforusapicture,”surchargedoodsandfeelings,evergingand

ight,likeyiijen,giveusalandscapeof

lingistsherodenlethetrees,

niyiinligiveusapindesolation,htheuntryastretch

notraalefest,

ther”abovetheirntelpiedutelatea

forofnature.ifthereisanyapprealehunforssuch,wesee

vienneseporeoftheirfriendshavepreseheorchrists,

sayingthattheroosrentedfuished,andknotodoha

grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

hespiritofthethingsasitisinstilledintohissoul,and

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor