felefigurecalled”ion.”thereisstilltodayalargeproportionof

ihegeneralistnessoftheatsphere,or,like

eastandthefeleforortheindasbeingre

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

recreateforusapicture,”surchargedoodsandfeelings,evergingand

hespiritofthethingsasitisinstilledintohissoul,and

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

notthebeautiesoftheirbodiesbutthelihehehis

grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

englishandarisocietyuresintheirflatsby

dofnature.thebestofelandscapes,likerots3giveusthe

andthisgeneralrhythalldetailstenandonlythetralinood

anbody,espealebody,seetotobethest

saatsphereandthesafeelingfoature,butirayalofhunfor,

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singularteristifostsingularntrastbethineseand

ight,likeyiijen,giveusalandscapeof

eartisthedifferehesourceofinspiratioselfforthe

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

notraalefest,

gongpilesofksandbrushwood

ursetherearealsonyeersy

eetagain

te,beforeoneleaeventhefirstessentialsofpainting.of

theygenerallybanishtheaionbycallihings

forofnature.ifthereisanyapprealehunforssuch,wesee

theisdesubservienttothe

niyiinligiveusapindesolation,htheuntryastretch

arestilluoreheelvestothefaivilizationrequires

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

lingistsherodenlethetrees,

sayingthattheroosrentedfuished,andknotodoha

vienneseporeoftheirfriendshavepreseheorchrists,

”art,”andtheonesadethen”cr

nature.heshouldousthebeofthatnionofnature,and

ther”abovetheirntelpiedutelatea

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

bathinggirlshouldbedetorepreseeer.”todaynyese

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