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oddnts,andyouhaveapictureoftherelatiohe
hairandcladintatters,singingtheairsofkunggdagthepartofthe
instcases,hoph
greatchukoliangireetsofoldpeking.
barkingofdogs.abovesuchadin,onlyathinfalsettokeyedinahighpitchuld
stagediheatrebuilding,thevoluofhusproducedistrulyterrific,
dodiatelyaftertheoasioheatrehereforeintheopenandthe
ltsugarsellerssllgongs,theshoutingofn,enandchildrenandthe
or”operania,”aenseeaniafthelohdishevelled
ofthepeople.igineapeopleassesknoireetsandatall
heardaleaovies.when
unterevideheapparentforteristoleratesqueaks
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frohesaxophoneandothersounddnessfrohejazzbandany
...
thepoor.deeperthananyotherliteraryart,theoperashavegohehearts
esegentlensnervesonend.itispossiblyallaquestionofadaptation.butthe
theesetheatreofthebettertypeinayardliketheelizabethare.
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actorshadtopetehthepeddlerscries,thebarberstuningforks,the
butsohoselvestoit,asthearishave
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usedasaansofattragattention;theyalheplaysanduldbe
fropurelyliterarypointofvieatiatypeofpoetry
”civilized”odetheatrebuildings.
hsiaotiao}tofindsoofovesre
lovelyasthetaryis,asandtheodddratigs
inofthedruandgongsandthefalsettolybeuoodinthelightof
st,oobe
it.tiedand
falsettooflesingers,.this
abovethegroundiatheopen,orshtacrossathhfare,tobetaken
fnvisitorsatesetheatresareoftenstruruciatingnoise
esetheatresurroundings.
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aniaina,unknoi
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